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OVERVIEW
WGA
JUDGING
DIRECTOR
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APPLY
TIPS
IN TOUCH
FORUM
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WINNERS '01
WINNERS '02
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WINNERS '03
WINNERS '04
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WGA
JUDGING
DIRECTOR
RULES
APPLY
TIPS
IN TOUCH
FORUM
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WINNERS '99
WINNERS '00
WINNERS '01
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HERE'S WHY
WINNERS '03
WINNERS '04
THS 2005

 

THE HOLLYWOOD SYMPOSIUM ANNOUNCES ITS 2000 CONTEST WINNERS

The Hollywood Symposium takes great pleasure in announcing the winners of its 2000 screenplay contest. Our heartfelt congratulations to our winning screenwriters, seven honorable mentions, and all finalists. The dominant genre this year turned out to be fantasy, with first and third place winners in that category. Second place went to a script in the horror-comedy genre. Other interesting factors this year: first and second place honors went to writing teams, our first place writers are Canadian, and our third place script is the rewrite of one that was a finalist last year. We went looking for good stories well told. This is where we found them.

 

FIRST PLACE: Ghost of a Chance, written by Geoff Murrin & Jim Murrin

        To save the life of his brother, a murdered man must become the Guardian Angel of the mobster who killed him.  

$2,000 PRIZE

 

SECOND PLACE: Zombie President, written by Kristan Ginther & Daniel Cubias

        A defeated presidential candidate comes back from the dead to seize the White House with an army of zombies, and he wins the courntry's heart in the process.

  $500 PRIZE

 

THIRD PLACE: The Timekeeper, written by Randall Alan Wolff

        A magical clock is about to strike 13 and stop time.  Only a suburban boy who's been invested with mystical powers can stop the clock and defeat a 16th century magician who wants to alter time and space reality, and bring on an age of evil.

$200 PRIZE

 

HONORABLE MENTION (alphabetical by author):

Mexico in Alaska, by Deborah Baley Brevoort

A multiple-plot drama about a group of searching characters who's lives collide one night in a Mexican restaurant in Anchorage, Alaska.

Vicious Circle, by Elia Harold Gavaris

A young man's fiancee is killed in a parachuting accident. Thirteen years later, now with a wife and family, he is given the opportunity to go back into the past and save his fiancee, and live the life that could have been.

2051, by Kris Hall

In the year 2051, two cops battle eco-terrorists and search for a missing scientist to recover a formula that could triple the human life span.

Neighborhood Girl, by Mike Jones

A father feels trapped as he tries to raise three daughters in a growingly dangerous inner-city neighborhood.

Hooligans, by Carl Long

        Two brothers attempt to escape a poor neighborhood by             using a how-to book to become professional assassins.

Highlands County, by Ken Neyland

        When a precocious ten-year-old decides to get rid of her loser  stepfather, her plan backfires and she learns a hard lesson           about interfering in the lives of other people.

Scorpio, by Tucker Parsons

        A killer with a forgotten past discovers he's been genetically altered, and that a scientific flaw dooms him to a horrible death.   But he also finds he alone hold the key to mankind's future.

Our most sincere thanks to everyone who participated. We hope to see you all again next year with new or extensively rewritten screenplays.  Keep writing!

 

THE HOLLYWOOD SYMPOSIUM

SECOND ANNUAL SCREENPLAY CONTEST:

FINALISTS ANNOUNCED

The Hollywood Symposium takes great pleasure in announcing the finalists for its year 2000 screenplay contest.

With 393 entries, we found that on different levels, each and every script had something to offer. Choices were not simple. We're delighted to report that we felt the overall quality of work was higher this year, as many new screenwriters continue to grow and learn. But, of course, decisions had to be made. Every entrant will receive a copy of the master judging sheet for their own screenplay as a summary of the Symposium's reaction to the relative strengths and weaknesses our judges felt they found in each one. It's hoped that these numerical indicators will be useful in the ongoing process of rewriting. When winners are announced, THS Executive Director Eric Edson will send a letter to all our screenwriters outlining his general reaction to this impressive body of work. We maintain a commitment to education, and hope that all of our entrants will learn something from their experience with us.

The Hollywood Symposium thanks you, and regrets that disappointment must inevitably be a part of any contest. We are honored and pleased to read the work of so many gifted screenwriters. Keep writing and rewriting, and we hope to see you again next year.

Our contest chooses not to have a "semi-finalist" category, but rather a single, larger "finalist" group instead. It's felt that this way, more screenwriters can wear the mantle of a Hollywood Symposium finalist when presenting their screenplay to others. We are pleased to report that more and more production companies are expressing interest in our finalist list.

If your script did not become a finalist, please understand that this does not necessarily reflect on the value of your story concept, or even on its current state of execution. It simply means that in our estimation, some screenplays are further along toward a presentation draft than others. Writing a screenplay is an ongoing process of growth and refinement. As THS Executive Director Eric Edson tells his university screenwriting students, "There's no such thing as a bad screenplay, only an unfinished one." Keep studying this complex craft, and don't get discouraged. Remember, 100% of professional screenwriters at one point in their lives had never won a contest and never sold a script.

Congratulations to our 43 finalists. May inclusion on this list bring you one step closer to your dream.

 

The Hollywood Symposium Screenplay Contest:

Finalists 2000

(alphabetical by author)

THE EVENING AND THE NIGHT by Lorelei Armstrong

FUSE PARK by Lorelei Armstrong

DEVIL'S PLAYMATE by Edward Arnold

GLORY DAYS by Donnie Becker

FOUNTAIN OF YOUTH by Tom Black

CONVERSATION WITH THE DEMON by Paul Boerger

INTO THE PAST by Michael J. Bowler

MEXICO IN ALASKA by Deborah Baley Brevoort

ALBUQUERQUE by Bud Elliott

TIANANMEN by Bill M. Flannigan

NUTTY CHRISTMAS by Robert J. Fox

VICIOUS CIRCLE by Elia Harold Gavaris

ZOMBIE PRESIDENT by Kristan Ginther & Daniel Cubias

2051 by Kris Hall

THE GREAT BEYOND by Brent Hartinger

EVE WAS FRAMED by Brad Hennig

STUDY ABROAD by Susan Holgate

EFIL by James Holmes

NEIGHBORHOOD GIRL by Mike Jones

TOMORROW MAN by Robert C. Lapham

THE ILLUSION OF ILLUSION by Jennifer LaMoureaux

HOOLIGANS by Carl Long

RACE CAR DREAMS by Paul Martin

THE ROSE GARDEN by Jill C. Miller

CRAZY MARY WOODS by W. Lee Miller, Jr.

GHOST OF A CHANCE by Geoff Murrin & Jim Murrin

HIGHLANDS COUNTY by Ken Neyland

PATRICK AND JAMES by Brent Andrew Oakley

SCORPIO by Tucker Parsons

CASANOVA by Robert D. Perkins

KARIN HANSEN'S ODYSSEY by Robert D. Perkins

CONSIDER ICARUS by Lori Romero

MIXING BUSINESS WITH PLEASURE by Kristen Russell

WAR ON ALL FRONTS by Doug Solter

DREADFUL SORRY, CLEMENTINE by Karen Spencer

PICARDY'S THIRD by James Sperl

BLACK BUTTERFLY by Deborah A. Tillie

PASSAGE by John J. Uustal

CIRCULATION by Zack Van Eyck

ESPRIT DE CORPS by Bruce Wilkinson

THE TIMEKEEPER by Randall Alan Wolff

THAT'S AFTERLIFE! by William D. Wolff

DOUBLE DOWN by Taesik Yoon