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OVERVIEW WGA JUDGING DIRECTOR RULES APPLY TIPS IN TOUCH FORUM THE SAGE WINNERS '99 WINNERS '00 WINNERS '01 WINNERS '02 HERE'S WHY WINNERS '03 WINNERS '04 THS 2005
OVERVIEW WGA JUDGING DIRECTOR RULES APPLY TIPS IN TOUCH FORUM THE SAGE WINNERS '99 WINNERS '00 WINNERS '01 WINNERS '02 HERE'S WHY WINNERS '03 WINNERS '04 THS 2005
OVERVIEW WGA JUDGING DIRECTOR RULES APPLY TIPS IN TOUCH FORUM THE SAGE WINNERS '99 WINNERS '00 WINNERS '01 WINNERS '02 HERE'S WHY WINNERS '03 WINNERS '04 THS 2005
OVERVIEW WGA JUDGING DIRECTOR RULES APPLY TIPS IN TOUCH FORUM THE SAGE WINNERS '99 WINNERS '00 WINNERS '01 WINNERS '02 HERE'S WHY WINNERS '03 WINNERS '04 THS 2005
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ANNOUNCING OUR SCREENPLAY CONTEST
WINNERS FOR 1999!
The Hollywood Symposium takes great pleasure in announcing
the
winners of its 1999 screenplay contest. Our heartfelt congratulations
to the three winning screenwriters, to the honorable mentions, and
all 44 finalists. Two of our three winners turned out to be scripts
set in the Civil War, and for future reference, there is no historical
or genre bias here on the part of THS. We simply went looking for
wonderful stories well told, and this is where we found them.
FIRST PLACE:
"The Ghosts of Bull Run," written by Steve Warren.
SYNOPSIS: During the Civil War, fifteen year old Clinton Brodie sets forth on a
hero's journey, promising his mother that he will find his father and bring him home
alive. The young man's search leads him through the twisting fates and horrors of war,
where he learns the power of honor, loyalty, and love.
SECOND PLACE:
"The Last Roommate,"* written by Zack Van Eyck.
SYNOPSIS: A college grad unable to cope with the real world moves in with the
misfit buddies he thought he'd left behind. Eric Tanner soon wonders if he's up to all the
wild parties, sex, drugs and whacked out personalitiesbut he can't even guess what
it will now take to escape this insane place with his life.
THIRD PLACE:
"The Ellet Family Navy," written by Kris Hall.
SYNOPSIS: Based on a true story. At the start of the Civil War, President
Lincoln commissions Charles Ellet to convert a fleet of run down paddlewheel riverboats
into warships. Accomplishing the impossible, Ellet leads his family-staffed, rag-tag navy
into battle against the Confederacyand wins a stunning but costly victory.
HONORABLE
MENTION:
"Virtual
Blue," by Michael Cravotta
"Watercolors," by Amanda Taylor Higdon
"Healer," by Michael J. Bowler
"Me and the
Emp," by Linda Ferguson
Prize checks are being sent to the winners: Steve Warren, $1,500,
Zack Van Eyck, $500, and Kris Hall, $200. Press releases will be
issued shortly, and contact made with production companies. Our
most sincere thanks to everyone who participated. With your help,
we've launched The Hollywood Symposium Screenplay Contest as
one to be watched, and we hope to see you all again next year.
Please check for our 2000 deadlines.
THE HOLLYWOOD SYMPOSIUM
PROUDLY ANNOUNCES THE FINALISTS FOR ITS
1999 SCREENPLAY CONTEST
With highest regard for the work of all our 367 entrants, The Hollywood
Sympsium takes great pleasure in announcing the finalists for its 1999
screenplay contest. Choices were not easy. Decisions had to be made. Every entrant
will receive a copy of the master judging sheet for their own script, as a
"snapshot" of the Symposium's take on the relative strengths and weaknesses of
the work. It's hoped that this indicator will be useful in the ongoing process of
rewriting. THS Executive
Director Eric Edson will send a letter to all our screenwriters outlining his
thoughts on general lessons learned from this amazing body of work. It is a delight
and an honor to read the screenplays of so many talented people. We
thank all of our entrants, and regret that disappointment must inevitably be a part of any
contest. Keep writing and rewriting, and we hope to see you all again next year.
The Hollywood Symposium Screenplay Contest: Finalists for 1999
(alphabetical by author)
| BROTHERS by Brian Antonson |
| UNTIMELY JUSTICE by Rita Baker |
| HEALER by Michael J. Bowler |
| PERFECT COUPLE by Vera Caccioppoli |
| BRIAN'S FAMILY by Craig Cambria |
SPARROW ON THE ROOF by Craig Clyde
MATT THE KNIFE by Jeff Coe |
VIRTUAL BLUE by Michael Cravotta
|
| EIGHTEEN by Jeff Cross |
| THE PRICK HOUSE by Zack Van Eyck |
| AN INNOCENT SPY by Edward Feit |
| ME AND THE EMP by Linda Ferguson |
BLUE GROUND by Terry Frazier
THE RULES OF CHESS by Howard Fridkin & Thomas F. McCurrie |
| THE CHRISTMAS CHILD by Carol S.
Anderson Gibson |
| THE ELLET FAMILY NAVY by Kris Hall |
| SHADOW WALKERS by Brent Hartinger |
A SHOT IN THE LIGHT by Brad D.
Hauter
A DIAMOND IN THE ROUGH by Joan V. Herndon |
| WATERCOLORS by Amanda Taylor
Higdon |
| THE ANATOMIST by Steven Hunter |
DRAGON PATH by William Kerr
BEING OF SOUND MIND by Jennifer LaMoureaux
ROLLING IN THE ISLES by Dennis T. Ling |
| FADE OUT by Carl Long |
THE SECOND LIFE OF EDDIE COYNE by
Louis K.Lowy
SHOWDOWN AT CARSON CITY by Frederick H. McFarland |
| THE DEADLY DOUBLE by Robert
McKenna |
| HEIDI'S ROOM by Adam Meyer |
| LAGUNA MONSTERS by Larry Newnam |
| WAITING FOR SHADE by Gregory D.
Paxton |
EVERYTHING GOOD by Sandy Preusser
VAUDEVILLE by Tommy Reeves |
| WIND DANCER by Ed Savoir |
| SAUSAGE by Michael J. Schilf |
| GODODDIN by Myles Sorensen |
CHRISTMAS IN THE SLAMMER by Karen
Spencer
GOSSAMER WINGS by Arthur D. Summers |
| BURWICK by Robert S. Waldo |
THE GHOSTS OF BULL RUN by Steve
Warren
BROKEN PROMISES by Julie Sharpe Wellisch |
FIRST COMES LOVE by Peter Wilson
BREAKING FREE by Tim Wilson |
| THE TIMEKEEPER by Randall Alan
Wolff |
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